Tag: Union Thugs

“the people are on the march and must have songs to sing” (Pete Seeger)

… absolutely overjoyed to have Union Thugs added to the “left wing mob” that comprises the Rebel Time Records line-up / family …

Based in Montreal, and made up of members of punk/oi bands like Action Sedition, Riot Porn and Mayday, this six-piece combo plays amped-up, accordian-fueled revolutionary folk-oi. As they put it, they’re here to “rock folk songs and folk rock songs in order to present a revival of classic popular and working class songs, with an original flavour.”

Of this release, the band says:

“A second release for the Thugs! This time, 6 songs including War on the Workers, Les piqueteuses de la gloire, Partisan, Union Maid, La complainte des ouvriers and The Preamble of SITT-IWW with banjo accompaniment.

This worker’s folklore album is part of our continued effort to develop a revolutionary working culture. Though modern popular songs have been omitted from our selection this time in favour of certain classics like Union Maid and Partisan, you will still find yourself in this mix of folk and punk-rock ready to wake up the striker in you!

This short album we dedicate to strikers and those locked out, grassroots activists, militants and delegates, professional shit-disturbers, and to everyone for whom taking it laying down has never been an option! ”

Of their mission, the band says:

“Hello Everybody! We are the Union Thugs, A Labor Folk band based in Montreal. Let’s get this out of the way, we are not musicians, but workers that play music. We travel far and wide looking for people like us, who are part of the working class and are pissed off!

Pissed off to always see the same fat cats getting all the wealth while our conditions stall or get set back. Pissed off to witness condos upon condos being constructed in the city while people still sleep in the streets. Pissed off to see that when we rise up, we’re getting stomped on by back to work legislation, the police and their batons.

Friends we come to you with a message. We are fed up and we want change! We don’t think that this change will come from ballots. Ignoring the problem and participating obediently and quietly will do us any good.

We think it’s through organizing our workplaces, our neighborhoods to take back control. To produce by the community for the community, without bosses to steal the fruits of our labor.

For this to work, we have to stop being afraid of differences, namely : religion, sexual orientation, skin color, gender, native language, among others. No, we have to realise the truth! The true enemies are the bosses that exploit our labor, landlords that harvest our rents every month, bankers that put us in debt and shareholders that throw workers out on the streets by voting to close a plant at the last board of directors meeting, It’s also politicians that introduce themselves as heroes of the people, but once they are in office they’ll cater to capital’s needs.

It’s high time we trust ourselves and we clean this mess up, It’s time for the revolution! If we organize properly, we’ll just have to cross our arms so every single person stops working to see that old world crumble like a sand castle, we’ll clean up the rubble after.”

The Punk Site had this to say about the new release:

“Montreal’s Union Thugs are a six-piece combo that are on a musical journey through the pages of the revolutionary songbook, one that on their latest release includes Anne Feeney, Jaques Brunet, Leonard Cohen, The Almanac Singers and Molodoi, that is delivered in seven songs of accordion fuelled revolutionary folk punk and oi. Union Thugs are active in organizations like the I. W.W., C.O.P.B and R.A.S.H and, more often than not, you’ll find them on the picket lines and the front lines firing up the workers. Union Thugs have now issued their second release, and their debut EP, “Folklore Ouvrier”“, via an international coalition of like minded labels scattered across North America and Europe. The “Folklore Ouvrier” EP is delivered in both French and English, whilst I only possess a tenuous grasp of the French language the message from Union Thugs comes through loud and clear, from the opening chords of ‘Intro‘ to the final notes of ‘Preamble To The I.W.W. Constitution’, a track that lays out a revolutionary manifesto.

Whilst there is a distinctly vintage feel about this EP, mainly because all but one of the songs on “Folklore Ouvrier” is an interpretation of vintage protest songs, there’s an appeal for this EP for any fan of blue collar pro-union rabble rousing punk rock from Dropkick Murphys through to Mischief Brew and Gogol Bordello, with my personal highlight being their interpretation of Anne Feeney'[s 1969 protest song ‘War On The Worker‘. This is an EP that isn’t just words, Union Thugs clearly back up their soundtrack with action and the final verse in ‘Preamble To The IWW Constitution‘ is a sentiment that is echoed within the seven tracks of “Folklore Ouvrier“. “It is the historic mission of the working class to do away with capitalism. The army of production must be organised, not only for everyday struggle with capitalists, but also to carry on production when capitalism shall have been overthrown. By organising industrially we are forming the structure of the new society within the shell of the old”.

“Folklore Ouvrier” is now available for streaming and as a ‘name your price’ download via Discos Machete (Mexico), Dure Realite (Quebec), Fire And Flames Music (Germany), Kale Borroka Records (Basque Country), Rudy’s Back (France), Rebel Time Records (Canada) and Union Thugs‘ Bandcamp.”

And Spring Magazine also weighed in, at length, on the album:

“Union Thugs are a Montreal-based six-piece that play a mixture of folk and oi in the spirit of working class and revolutionary anthems. Their latest release, Folklore ouvrier (Worker’s Folklore), presents six of these anthems with a companion zine which details the history and meaning behind the songs and their importance. You can find info on Union Thugs on their Facebook, Bandcamp, and Instagram.

“This short album we dedicate to strikers and those locked out, grassroots activists, militants and delegates, professional shit-disturbers, and to everyone for whom taking it laying down has never been an option!” Folklore ouvrier is Union Thugs’ second release and first EP. The band makes it clear in their introductory track, “[W]e are not musicians, but workers that play music.”

The band sees their music as a tool for organization and the mobilization of political action. All members are active members of groups such as I.W.W. (International Workers of the World), COBP (Committee Opposed to Police Brutality), and RASH (Red And Anarchist Skinheads). To further this message, the EP is delivered with a companion zine, as well as info about anti-fascist movements today and calls to action. The tracks cover work from Anne Feeney, Woody Guthrie, and more. Union Thugs are leading the way in showing that music can not only be a tool for change, but one of revolutionary change and working class solidarity.

I was immediately blown away by the passion and energy that covers this EP from start to finish. Ouvrier is simply drenched in working class power and anti-capitalist spirit. While I wasn’t familiar with all of the songs presented, each one was performed with an infectious energy, and the bilingual zine helped give insight and context into those written for specific struggles.

Music to action
I think it is sadly too common for bands, and certainly punk bands, to make leftist platitudes of political and social change without backing it up with action. The band is active with anti-fascist and pro-worker activities and heavily promote the struggles they are involved in, and those around the world. It’s clear that Union Thugs see the need for cultural expression that represents the ideas of the proletarian, and not the ruling class. By creating art that is not just for, but by and relating to workers, we are able to actually share and communicate radical ideas while also creating platforms for organization.

As mentioned before, the album’s opener, “Intro,” is probably the most pump-in inducing song I’ve ever heard. Like a youth crew singer getting ready for gang vocals, you can’t help but start pacing around the room and throwing your fists out. It also gives the band a chance to lay the cards out on the table: they’re here, ready for a fight, and ready to unite. “We are fed up and we want change! We don’t think that this change will come from ballots. Ignoring the problem and participating obediently and quietly will not do us any good. We think it’s through organizing our workplaces, our neighbourhoods to take back control. To produce by the community for the community, without bosses to steal the fruits of our labor.” They then turn to the need for international and intersectional solidarity and really get listeners engaged to not only hear what they have to present on the album, but take action afterwards.

The rest of the album is a great lesson in historical struggles, with the zine filling in the gaps and relating their relevance today. Part of what makes this album so great is learning the history of these powerful anthems and getting them stuck in your head for days. “War on the Workers,” is an earworm that gets any picket line shimmying. The track, by activist and composer Anne Feeney, is dedicated to Jim Beals and Karen Silkwood. Beals was killed on the job and Silkwood died trying to expose toxic working conditions. Today, workers are being forced to bear the brunt of the Covid-19 crisis, dealing with increasingly unsafe workplaces and being stripped of their pandemic pay, often in minimum wage positions.

Union Maid
Another highlight is their version of “Union Maid.” While the first few tracks on the album place the musical emphasis on the group’s oi sound, “Union Maid,” goes deeper into the folk side of their repertoire. The zine gives the background to the song, something I was unfamiliar with. In 1940, The Almanac Singers (of which Guthrie was a member) were touring with Bob and Ina Wood, who ran a political bookstore in Oklahoma city where Bob was the secretary of the state’s communist party and Ina was an organizer. The group was performing a series of concerts in solidarity with striking hooverville workers. Ina spent time with Guthrie, criticizing him for putting communist women on the periphery of his songs. He took the message to heart, writing and performing the song while on the same tour.

Folklore ouvrier is working class music for the working class movement. It’s inspiring, catchy, radical, and most importantly, good. By delving deep into the revolutionary songbook and providing context for today, Union Thugs are providing a solid memory of class struggle while also proposing organization and solidarity for those fighting for change in the present. If you’re looking for some punk and folk that asks more of the listener than to simply agree with the lyrics, but one that provides you with the next steps, then Folklore ouvrier is the perfect release.”